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Showing posts with label The Dilemma. Show all posts
Showing posts with label The Dilemma. Show all posts

Wednesday, May 4, 2011

The Green Hornet, The Dilemma, and Others on DVD This Week

Shown running from the critics


Yesterday, four major DVD releases found their way onto shelves - The Green Hornet, The Dilemma, A Somewhat Gentle Man, and From Prada to Nada. Now... generally, I try to recommend a viewing for the week, based on the releases. But, this is a total grab bag here. I can recommend The Dilemma, but it won't be something everyone will enjoy (as reviews and box office returns proved); I can recommend A Somewhat Gentle Man, but that's purely based on a general perception of the film - I haven't seen it yet (I'm a terrible critic, I know). I've managed to avoid From Prada to Nada, though it's something I'll have to endure by the end of the year, regardless. And The Green Hornet is... a waste of time. 

So, yeah - there you have it. However, let's look at each release closer, just to see what might be worth your hard earned money, and valuable time. 


More after the cut--

Tuesday, May 3, 2011

The Dilemma


"Seriously? You bagged Winona Ryder?"


Ironically enough, The Dilemma has a few problems of its own. It’s interesting to see Ron Howard take another stab at comedy after laying Arrested Development to rest, but it doesn’t gel the way it should have. Many comedies make their name by taking a moral question and either grounding it in darkly funny reality or making it so absurd that it becomes impossible to question. In fact, some directors have made a career out of doing just that. Mike Binder, Woody Allen, Judd Apatow, the list continues. Where Ron Howard finds trouble here, to be fair, is the script. It’s penned by Allan Loeb, who spewed out Wall Street:Money Never Sleeps and The Switch (that movie about Jennifer Aniston, a turkey baster, and an awkward conversation waiting to happen). The Dilemma is two movies at once - a dark comedy about a man who finds out his best friend’s wife is cheating on him, and a relationship drama about the same thing. The real dilemma is that it can’t find that comfortable middle ground. Same problem that Wall Street 2 had, same problem The Switch had. Must be a Loeb thing.

More after the cut--